Hear us Play!
La Foscarina  
by Biagio Marini (1:15)

Sonata No. 17  
by Giuseppe Scarani (0.38)

Sonata No. 12  
by Dario Castello (0.87)

La Gente d'Orfeo

Kiri Tollaksen, cornetto 
Daniel Foster, violin 
Debra Lonergan,violoncello/viola da gamba
Martha Folts virginal/organ


Passion and Repose:
an Early Italian Musical Extravaganza

CDs may be purchased for $15
at any of our concerts, or contact us for postage and mailing information

The mythic figure of Orpheus – who moved men, beasts, woods, and rocks with the music of his lyre – is considered the patron saint of all musicians. When Claudio Monteverdi wrote his opera “L’Orfeo: in 1607, he introduced a completely new style of music which influenced generations of composers after him. La Gente D’Orfeo (The People of Orpheus) was formed in 2001 to play the chamber music repertoire of 17th century Italy, the time when Monteverdi’s new style began to flourish in the works of other composers as well.

La Gente has performed at the University of Michigan’s Museum of Art in connection with its exhibit “Women Who Ruled: Queens, Goddesses, Amazons 1500-1650,” and at the Detroit Institute of Arts’ Fine Arts Friday Series, and has recently collaborated with the vocal ensemble, Vox, at the DIA for the opening of the exhibit “Magnificenza! The Medici, Michelangelo, and the Art of Late Renaissance Florence,” as well as on the Academy of Early Music’s 2002-2003 concert series in Ann Arbor.

La Gente’s program, Passion and Repose: an Early Italian Musical Extravaganza, includes sonatas by Castello, as well as works by Giovanni Battista Fontana, Giuseppe Scarani, Biagio Marini, Domenico Gabrieli, and Andrea Falconiero.

La Gente’s newest program, Singet Dem Herrn (Sing To The Lord)! 17th Century Sacred And Secular Music Of Northern Germany, includes selections composed by Becker, Weckmann, Rosenmüller, Sweelinck, Vierdanck, and Buxtehude.

Concerts and Projects

October 10, 2008   8 pm
Early Music in Columbus
Passion and Repose: A 17th Century Musical Extravaganza
Mees Hall
Capital University
Columbus, OH

September 27, 2008   8 pm
Taylor Concert Series
Passion and Repose: A 17th Century Musical Extravaganza
Rosse Hall Auditorium
Kenyon College
Gambier, OH

February 6, 2005   4 pm
Music at Memorial
Singet Dem Herrn (Sing To The Lord)!
17th c. Sacred And Secular Music of Northern Germany
with guest artist, Brian White, tenor
Grosse Pointe Memorial Church
Grosse Pointe Farms, MI

September 28, 2005   12 noon

Arts at Noon Music Series
Grand Valley State University
Allendale, MI

May 22, 2004
Midwest Historical Keyboard Society
Grand Valley State University

August 2004
Recording project of Passion and Repose:
an Early Italian Musical Extravaganza
Grosse Pointe, MI

January 11, 2004
Grosse Pointe Memorial Church
Grosse Pointe, MI

October 19, 2003
Marshall’s Day of Music at the Max
Detroit Symphony Orchestra two-day music event

September 14, 2003
St. Lorenz Lutheran Church
Frankenmuth, MI

September 13, 2003
Academy of Early Music’s 2003-2004 Concert Series
Ann Arbor, MI

September 12, 2003
St. Peter’s Catholic Church
Brighton, MI

March 16, 2003
“Harmony of the Spheres”
Academy of Early Music 2002-2003 Concert Series
Ann Arbor, MI

March 15, 2003
House Concert for Phillip Powers
(benefactors of the University of Michigan and the Power Center)
Ann Arbor, MI

March 14, 2003
“Harmony of the Spheres” with Ensemble Vox
Concert in conjunction with the opening of the exhibit “Magnificenza! The Medici, Michelangelo, and the Art of Late Renaissance Florence”
Institute of Arts
Detroit, MI

March 8, 2002
Fine Arts Friday
Institute of Arts
Detroit, MI

February 17, 2002
Concert in connection with exhibit "Women Who Ruled: Queens, Goddesses, Amazons 1500-1650
University of Michigan's Museum of Art
Ann Arbor, MI

September 25, 2001
Candlelight Concert
St. Paul’s Church
Chelsea, MI (Proceeds to the Firefighters of 9/11 fund, and to the music ministry at St. Paul’s)

Performer Biographies

Kiri Tollaksen has enjoyed a varied career as a performer and teacher. Equally skilled on modern trumpet and cornetto, Kiri has performed extensively throughout North America and Europe with numerous groups such as Apollo's Fire, The Folger Consort, Piffaro, Ensemble Seventeenth Century, Philharmonia Baroque Orchestra, New York Collegium, Concerto Palatino, La Fenice, the Huelgas Ensemble, Capella Artemisia, The Toronto Consort, and Oltremontano. She is a founding member of the quartets La Gente d'Orfeo and Anaphantasia, both based in Ann Arbor, Michigan. As a professional trumpet player, Kiri is a member of the Greater Lansing Symphony Orchestra, plays the Eb soprano saxhorn with the Dodworth Saxhorn Band (a re-creation of a 19th century community brass band, based in Ann Arbor) and plays cornet in the River Raisin Ragtime Revue. She teaches trumpet privately in Ann Arbor, and has taught cornetto at the Amherst Early Music Festival. Kiri holds performing degrees in trumpet from Eastman, Yale, and a Doctorate in Musical Arts from the University of Michigan. Kiri has recorded with the Huelgas Ensemble, Apollo's Fire, Piffaro, The New York Collegium, and the Dodworth Saxhorn Band. For upcoming performances, please visit Kiri’s website at http://www.KiriTollaksen.com.

Daniel Foster Daniel Foster has taught violin and viola at Eastern Michigan University, Ypsilanti, Michigan since 1987. He holds degrees in violin performance from the University of Illinois and the University of Michigan. Since 1978, he has appeared frequently throughout the United States as a solo and chamber artist, with repertoire ranging from the seventeenth through the twentieth century. As a baroque violinist and violist, he has performed and recorded with Ars Music Baroque Orchestra, Smithsonian Chamber Players, Oriana, and Tafelmusik, and is a current and founding member of Trio Giusto, a trio with baroque flute and cello specializing in late Baroque and early Classical repertoire. He is a member of the Alexander Trio, faculty piano trio at Eastern Michigan University, and a founding member of the Honolulu-based Red Hot Lava Chamber Ensemble.

Debra Lonergan was a long standing member of the Michigan Opera Theatre Orchestra and worked extensively with Ars Musica Baroque Orchestra, including its 1989 Michigan MozartFest and a twenty-city national tour celebrating the 1985 Bach anniversary year. Currently a member of Anaphantasia, Mirabel and Milwaukee Baroque, as well as La Gente, she has been invited to play basso continuo in concert for renowned Baroque specialists including violinists Jaap Schroeder and Stanley Ritchie, cellist and gambist Enid Sutherland, soprano Ellen Hargis, and harpsichordist David Schrader. Ms. Lonergan also served as an academic program administrator for the Center for Creative Studies-Institute of Music and Dance in Detroit. She has made an extensive study of string pedagogy, and with nearly 30 years teaching experience, maintains an active Ann Arbor studio today. She plays a Ubel bass viol and an English cello in its original condition from the Walmsley School, ca. 1780.

Martha Folts' keyboard repertoire covers a wide range of styles. Beginning her performing career as an exponent of avant garde organ music, she performed recitals at colleges and universities throughout the U.S. and at conventions for the American Guild of Organists including the National Convention in Boston, 1976. In addition she performed at 20th century music festivals in Sinzig, Germany, Toulouse, France, and Aarhus, Denmark.

Returning in recent years to keyboard repertoire of the 16th - 18th centuries, Martha Folts has presented recitals and workshops throughout the midwest including Susquehana University, Selinsgrove, PA, John Carroll University, Cleveland, OH, Kenyon College, Gambier, OH, Ripon College, Ripon, WI, Augustana College, Rock Island, IL. An Iowa tour included concerts at Iowa State University, Ames, Central College, Pella, IA, Drake University, Des Moines, IA, and the University of Iowa, Iowa City. Additional recitals include the Lincoln Organ Showcase Series, Nebraska, and the Region VI convention of the American Guild of Organists where she gave harpsichord recitals on historic instruments at the Shrine to Music Museum in Vermillion, SD. Ms. Folts joined two colleagues in performances of J.S. Bach’s concertos for multiple harpsichords (BWV 1061,1063 and 1064) in a concert at Eastern Michigan University for the Region V Convention of the American Guild of Organists in June, 1999. As a member of the Midwest Historical Keyboard Society she has given lecture-recitals on Italian keyboard music and participated in performances of Bach’s Well-Tempered Clavier.

Martha Folts has taught on the faculties of Iowa state University in Ames and Miami University in Oxford, Ohio. Moving to Michigan she completed the Doctor of Musical Arts Degree in harpsichord performance at the University of Michigan in April, 2000, studying with Edward Parmentier.

Martha Folts has recorded for the Delos and Musical Heritage Society labels, and her recorded performances on both organ and harpsichord have been broadcast on WGUC-FM in Cincinnati and over Minnesota Public Radio. She also serves as vice president of the Midwest Historical Keyboard Society.

Dr. Folts presently teaches at Adrian College, Adrian, Michigan, is a member of the ensemble “La Gente d’Orfeo”, specializing in the performance of 17th-century Italian repertoire. She serves as Minister of Music at St. Paul United Church of Christ in Chelsea, MI where she resides with her husband, Stephen.